Personal Details of Jane Sarson Cooper Ingham

 

Born:  
Died:  
Buried:  10/07/1906

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Death

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Burial Register
Name at death Jane Sarson Cooper Ingham
Age at Death 62
Burial Date 10 July 1906
Abode 4 Beaconsfield Terrace
Newbury
Official at Burial F Halliday
Comments
Burial Register Index
Book 1899
Page Number 122
Reccord Number 8171
Sources Burial Register

Burial Register entry for Jane Sarson Cooper Ingham
©Newbury Town Council
Reproduced with kind permission


Memorial Details
  From top of Headstone: In Loving and Reverent Memory of/ "Sarson", Poet, Author/ daughter of the late/ Revd. J. & Mary Ingham/ who fell asleep July 5th. 1906./ "Waiting."/ Also In Loving Memory Of/ Louisa Faulkner Ingham/ third daughter of/ Jabez & Mary Ingham/ who died July 25th. 1922 in her 73rd. year./ "The Lord knoweth the way that I take./ When he hath tried me I shall come forth as gold."
 
Name on Memorial "Sarson" INGHAM
Date of death 05/07/1906
Age 62
Gender Female
 
Memorial Type Headstone and 3 Kerbstones
Construction Material Limestone
Condition of memorial Poor condition with lichen. Inlaid letters, many peeling off.
Pattison Location Code LS(A) 29
Recorder's Notes Burial Register and BMD Death record "Sarson" Ingham died aged 62 years.
Others named on memorial
Louisa Faulkner INGHAM

Newspaper Cuttings

The articles below have been transcribed from newspapers and magezines.

Jane Sarson Ingham
Source: Newbury Weekly News
Article date: 12/07/1906
Copyright: Newbury Weekly News
Transciption:

JANE SARSON C. INGHAM

 

THE LATE MISS INGHAM

 

On Thursday last, the late Miss Ingham passed away at her residence, Beaconsfield-terrace, Newbury.

 

The deceased lady was daughter of the late Rev. J. Ingham, a Wesleyan minister whose memory is still remembered in this neighbourhood.

 

Miss Ingham was a gifted authoress, well-known in literary circles under the anonym “Sarson.” Her first effort to arrest attention bore the title of “The White Cross,” and passed into thirteen editions, and in addition was widely circulated in America. This work was quickly followed by what is to many her masterpiece, “Selina's Story,” an autobiographical poem. Some fifteen other works followed in quick succession, “Caedmon's Vision,” “Soul Echoes.” “Laura Linwood,” “Duchess Reinee,” “Esther Lovell,” “Dr. Blandford's Conscience,” etc. etc. The keynotes of Miss Ingham's work maintained throughout has been the disciplinary purposes of life, and the ultimate influence of character on destiny. In September last, Miss Ingham issued what has proved to be her last book, her Swan-song really, under the title of “Ida Llymond and her hour of visions,” a work blending allegory with fiction, its aim being to emphasise half-revealed spiritual truths to comfort the heart, and fan the best hopes of men and women who struggle to keep sure footing through all the mazes of this life and yet yearn to realise a better. “Graduating for many years in the school of suffering (to quote from this last work), having fulfilled the time of His patience, this ardent soul passed away to be forever with the Lord of her life and love, and to the rapture and realisation of the mysteries she pondered, where faith is lost in sight.

The open vision-the shining of the face,

The touch of the hand-

My kiss upon His feet,

His kiss upon my brow.

The white stone whereupon was the new name written, a secret between my Lord and me.”

 

The funeral of the late Miss Ingham took place on Tuesday, July 10th. The casket covered with beautiful floral emblems was conveyed to the Wesleyan Church, where the memorial service was held, conducted by the Rev. F. Halliday (pastor), who gave a most appropriate and appreciative address on the deceased lady's Christian life and service, and was assisted by the Revs. T.H. Lomas and G.M. Kerr. As the cortège entered, the organist played “O! Rest in the Lord.”

The hymns

“Jesus, Thy blood and righteousness,

My beauty are, my glorious dress,

Midst flaming worlds in these arrayed,

With joy shall I lift up my head.”

(a favourite of the deceased), and “Peace, perfect peace,” were sung.

The service was concluded at the grave in the Cemetery.

The mourners were Mrs Unkles, Miss L. Ingham, Mrs Jones (sisters), Mr. Alcock (brother-in-law).

Among the numerous floral contributions was a lyre “from her sorrowing yet rejoicing sisters” from Mr. and Mrs. Alcock, her niece and her husband (Mrs. H. Elliott), from Misses Gregory, Miss Alton, Mrs. Launcelot Smythe and Mrs Dawbarn (London) Miss Rolfe, Misses Dolton, Mr. and Miss Mason, Mrs. and Miss Coles, Mr. and Mrs. Webb, Miss Borristone, Miss Woof (Newbury),

The funeral arrangements were conducted by Messrs Hopson.



Newbury Weekly News 12 July 1906

Died 5 July 1906


 

Page 137 of Mrs. Patterson's book shows "Sarson", Poet, author, daughter of Rev. J. Ingham.
 
Checked on www. and found the following references:-
 
1. (Poems ... By INGHAM, Sarson C. Book Description. Newbury, 11 November 1874. ... Sarson C. Ingham, woman novelist, author of Adelaide's Treasure (1880), ...
 
INGHAM‚ Sarson C. 4080
 
 
2. Autograph Letter Signed ‘Sarson C.Ingham’‚ addressed “Chère petite amie”‚ saying that she is a prisoner as a result of an inflamed foot‚ asking her correspondent to call. 3 pp. 4? x 3? inches‚ second leaf laid down on part of album page. Newbury‚ 11 November 1874. Sarson C.Ingham‚ woman novelist‚ author of Adelaide’s Treasure (1880)‚ Eleanor’s Ambition (1885)‚ Esther Lovell (1890)‚ etc. “If you will come and have a cup of tea with me at five o’clock we can chat over as much congenial rubbish as we like‚ for neither Papa nor Mamma will be in.” 
 
Price : £65.00 
 
3. Adelaide's treasure, and how the thief came unawares
 
Wesleyan Conference Office, 1880

 

  This obituary entry is awaiting verification.

Pictures and photographs

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Sarson Ingham
© Wesleyan Conference Office 1880


Biographical Information

The articles below contain information about Jane Sarson Cooper Ingham.

Sarson's Golden Text Stories

Sarson C. J. Ingham wrote the stories at the end of the nineteenth century for the Wesleyan Methodist Sunday School Union. The stories often concern young people on the point of making their way in the world.

The circumstances vary; young men might have to support the family after the death of the breadwinning father. There might be a dramatic change of fortune from a modest way of life to inherited wealth and status A young man may be on the point of travelling to a new country to make his living.

There he has to tackle clearing rough ground or face Arctic wastes. The young men featuring in the stories have their doubts and weaknesses but are seen to be on a learning path in the world outside. They are there to show courage, perseverance and responsibility.

Young women face different challenges needing different qualities. The orphan taken in by her aunt is expected to take on the burden of housework and childcare. The girl who stays at home to look after her mother is seen as noble. Both girls make huge sacrifices and tolerate considerable hardship. As single young woman of limited or no means they are vulnerable. Marriage and being a good mother to one's own baby is a valued aspiration.

Throughout the stories there is strong moral teaching based on Christian values. It is important to seek the truth and teach it to others. There is an emphasis on helping others and acquiring knowledge and learning rather than material possessions. For the young men it is important to strike out and overcome fear and adversity. In the young women endurance and self-sacrifice are esteemed. There is value in working out one’s own priorities rather than accepting parental aspirations.

The language is generally quite readable for older Sunday School age children although there are some rather long sentences It is the domestic and social context which is strange to-day. Such stories belong to another time. The social structure is very marked. Young men go out into the world, but the young women stay at home.

While the moral values are sound the setting and the telling belong to another age.
Review by Mary Gorbold

The White Cross And Dove Of Pearls
By Sarson C J Ingham

First published in 1889, this novel is inscribed to Thomas Cooper. The ‘authoress’ expresses her gratitude to her benefactor who has enabled her to reach a wider readership. Unlike Mary Ann Evans, writing under the name of George Eliot a little earlier, there is no attempt to disguise her gender. It seems to be a novel written by a woman for women.

The two central characters are the girl known as Myrza, a stolen child who travels with the gypsies and the young evangelical curate who adopts her unofficially on the death of the gypsy Zillah to whom Myrza was particularly attached. The curate Hugh Warnford trains and educates Myrza, not least in the scriptures. All is well until Myrza grows into a pretty, vivacious, independent-minded young girl. There is a hint of mystery about Myrza’s natural parents as she shows signs of refinement.

Many adventures befall Myrza. She is kidnapped by the gypsies but manages to escape and return to Hugh; she becomes ill; she forms attachments with Hugh’s young brother and his sister, an aspiring writer and the Rector’s daughter. Hugh eventually decides that they must part, he to China, Myrza to train as a teacher. Myrza, with members of Hugh’s family, sees him off at Woolwich. The boat is delayed which provides the opportunity for Myrza to meet her natural father and becomes Lady Theresa l’Estrange. As Lady Theresa she has conflicting religious views and objections to the constraints of her new social position. There is, of course, a happy ending.

One of the prevailing themes of the book is social position and social stereotypes. The gypsies are mistrusted; the rich and titled have the power to create jobs, get work published, become members of Parliament. Working people are more likely to steal. Religious interpretation of the high church and evangelical church conflicts. Hugh had trained Myrza in a strict observation of the Sabbath, Christian faith and interpretation. However among the prejudice there is an insight into educational theory and a respect for education and the role of teaching which is refreshingly modern.

The telling of the story and style of writing is rather laborious throughout the nearly 500 pages. Many events take place with little bearing on the main story. There are lengthy descriptions of feeling, landscapes often interspersed with quotations even of whole poems. Hugh’s earnest sermons are included in lengthy extracts. The message, often repeated, is to spread the gospel and convert Hugh’s sister Agnes and Myrza’s father to a belief in God.

Writing a little before the publication of this book were Charlotte Bronte, Mrs Gaskell and George Eliot. The plots, themes, language of their works are clearer and have stood the test of time, whereas this work rather loses its way.

 

Author: Mary Gorbold
© Mary Gorbold



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